This is a gratuitous “arts and culture” post and horn tooting, your weekend chance to grab a cup of coffee or a Goose Island and do some art and music browsing.
I really should actually be getting ready for this show instead of writing about it, but hey, it’ll only take a few minutes, right? Read more
Most of the time you already know it, but then sometimes you’re reminded just how cool your friends are. The Good Fear just put out a great video for the song “Tools of Trade.” You can also see it and other stuff at the Deluxe 36 MySpace site.
Tools of Trade
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Check out these amazing paintings.
technorati tags:art, paintings, activism, social, justice, american, patriotism, Robert Shetterly
Kentucky Library and Museum’s Print Collection – Now showing in the FAC Corridor Gallery (second floor) is one of the best print collections I’ve seen in a while. Some of the artists includeLouise Nevelson, Frank Stella, Paul Cadmus, Jim Dine, Wayne Kimball and Nathan Oliveira. This show is giving Ceramics Invitational a run for it’s money in terms of balls-to-the-wall amazingness.
And while you’re here be sure to wander up to the Cube gallery on the fourth floor to see what’s going on there.
Above is “Five Paint Brushes,” an etching from 1973 by James Dine. It is one of the pieces in the show, all of which are on loan from the permanent collection of the Kentucky Library and Museum. The majority of the work on view were originally collected in the early seventies through an NEA grant. They were collected by Ivan Schieferdecker, Professor Emeritus and have not been displayed since sometime during the 1980′s.
The show will be on view through finals week which I believe is Friday, May 11th. The prints are screenprints, lithographs, etchings and others.
2007 Graduating Senior Art Exhibit – Also, the Senior show is now up in the Kentucky Museum and will also be on view until May 11th. I haven’t had a chance to get any photographs (or even see the show yet) but I hear it’s quite a collection of work, taking up the whole place.
Above are works by 2007 graduating seniors Sara Truman (left) and Perry Hooks (right). Go check it out.
For those of us with an interest in regional music history there is a special treat coming up on PBS later this month. On Tuesday, August 22 (in our area, check your local listing for local showing time) the PBS program P.O.V. (Point of View) will be airing “Lomax the Songhunter“, a documentary about Alan Lomax, the folk music collector by film-maker Rogier Kappers. Alan Lomax was a contemporary of other well known collectors and folklorists as Harry Smith, Vance Randolph and his wife Mary Celestia Parler, John Gould Fletcher, and Otto Ernest Rayburn. You’ve probably seen this logo on more than one collection of Lomax’s field recordings. Here’s an excerpt from the description of the film on the P.O.V. website.
Alan Lomax was “the song hunter.” He devoted his life to recording the world’s folk tunes before they would permanently
disappear with the rise of the modern music industry. In “Lomax the Songhunter,” filmmaker Rogier Kappers seeks to tell Lomax’s story by interviewing friends such as Pete Seeger, combining it with archival recordings of music greats Woody Guthrie and Leadbelly, and gathering footage of the cotton fields, rock quarries and prisons where Alan Lomax captured America’s quintessential music. Finally, Kappers followed the route that Lomax took so many years ago and traveled around Europe in an old Volkswagen to remote villages in Spain and Italy, hearing memories and music from the farmers, shepherds and weavers whose songs Lomax recorded decades earlier.
Looks to me like the tour shirts turned out good. I haven’t seen the posters except for in a brief flash during the crazed brawl between Mr. Bill Krejci and the Murder by Death merch guy. Anyway, can’t wait to see them in person. Shall I take orders? Maybe I can snag a few of the leftovers.
Kings of New England playing a show in a local garage
Twas a big night for BSB clients and friends at last night’s 11th Annual NAMAs (Northwest Arkansas Music Awards). The Kings of New England walked away with a Best Album of the Year and Best “Plugged” Album. Which all goes to show that if you break up, your chances of winning awards increase greatly.
Wooden Stares also gave a great performance at the show, didn’t win anything, unfortunately. They have not broken up yet and are actually going quite strong.
Moreover, Kelly Mulhollan was up for Best Male Singer/Songwriter and his amazing Never Ending Conversation was nominated for best “unplugged” album. He was denied both awards, indicating an overall decline in justice in the world.
Block, Street & Building had the extreme pleasure of creating the album art for all three of these great acts. And for that we’d like to thank God for pulling us through the hard times, our parents who never gave up on us and encouraged us to follow our dreams, even during hard times. To our Apple computers for remaining faithful even when we asked more than we should of them during hard times. To our friends who have always been there for us in hard times. Firewire for being so fast in hard times. Our vision for remaining something resembling 20/20 even in the hard times. And lastly rock and roll like Tel Aviv, old-timey music like Violet Hensley and underground hip-hop labels like Bru Records. And our producers. The NAMA limo driver. And fondue.
As soon as they become available, I plan on posting some of the photographs that were taken at the show. Twas a great evening.
I’ve been wanting to rave in detail about Art Amiss here for a while now. And now that Miss Haley Duke (one of the Art Amiss organizers) has graciously posted a boat load of pictures, I can more easily and thoroughly rave on.
Art Amiss was started a few years ago as a one-night-only event to showcase the scads of little-known Arkansas painters, writers, fashion designers, photographers, and musicians. The event quickly blossomed into an annual gathering and then into a website, which now promulgates 131 artists and 643 pieces of art, then a bi-annual show. Thus far, each event – four shows and two benefits – has been hosted at the Dickson Street Theater in Fayetteville (excluding the benefit shows which have been held at both JR’s Lightbulb Club and Teatro Scarpino,) which seems to be an ideal location for such a space-sensitive event.
There are many places across Arkansas to get your work in front of people and more than a handful of them are in Fayetteville. The significant bonus of showing your work at Art Amiss is their devotion to betraying those who have not had work shown in those places or have not been published to any significant degree elsewhere. The benefit of this being that one who attends the show is guaranteed fresh, original work, most often for sale. I have picked up on a “first dibs” friendly competition at times when one certain piece is particularly favored.
Every event so far has also featured several Arkansas bands and performers and each show is genre specific. Art Amiss 4 featured Little Rock’s 607 and Conduit Family and Big Jake with Lucio and Rasmey of Fayetteville. Art Amiss 3 was an all instrumental show. And so on. And then there are the chapbooks and compilation cd’s.
The next Art Amiss, I believe, is scheduled for sometime this next fall and may or may not be a two night event this time. For more information about Art Amiss check out their website at ArtAmiss.org.
Or you may email the folks at Art Amiss if you wish to ask a question or talk about all things concerning art in Arkansas.[tag]art, art amiss, arkansas, music, gallery, painting, sculpture, photography, Fayetteville, Little Rock, hip-hop[/tag]
Thus far the war in Iraq has been a war over many things, both concrete and abstract, stated and hidden. And those ideas seemed to have all morphed and adjusted and been realigned with disorientating rapidity. Before it was a war over democracy it was against a plausible neuclear/chemical/biological threat. Then a regime swap-out. Or to make progress in the war on terror. Or because of Al Queda’s links with Iraq. Or because of 9/11. It is revenge to some and a result of selfless world leadership to others.
Everyone is pretty confused by now, I’d say. Perhaps, most importantly, our troops themselves. A February 28th Zogby poll states that “Almost 90% think war is retaliation for Saddam’s role in 9/11.” But there are soldiers in Iraq and home in the US who believe that is not the one, categorical reason and speculate that there was no such reason – or, finally, that the consequences have hardly been honorable.
Some of those soldiers believe the later very adamantly and vocally and have made the decision to not fight. Many of them have suffered “dishonorable discharge,” or “punitive separation” as a consequence. These paintings are part of a series by Greg Moore, one-half of Block, Street & Building. These three subjects are soldiers who have filed status as conscientious objectors. Other resisters have been incarcerated or have fled to Canada.
Greg has done done a total of 4 portraits and plans on more. You can see more of Greg’s work at Art Amiss or at our website. dsklj
